The Sherlockian begins with Arthur Conan Doyle pondering the best way to kill off the character that brought him fame, fortune, and the angst of a writer desperate to be remembered for more than "a few morbid yarns." We then skip more than a hundred years into the future, to meet Harold White, a Sherlock Holmes devotee attending an annual celebration of hundreds of Sherlockian societies. When both Conan Doyle and White face grisly murders, Graham Moore's delightful debut novel really takes off, bouncing merrily between these two characters and time periods. Replete with winking cameos and Holmes-worthy twists, The Sherlockian is an inspired historical suspense novel that will captivate Holmes fans and anyone who loves a good twisty, clever mystery. --Daphne Durham

From Publishers Weekly

In Hockensmith's clever, slapstick-infused fifth Holmes on the Range mystery (after 2009's The Crack in the Lens), Gustav ("Old Red") and Otto ("Big Red") Amlingmeyer travel to Chicago to take part in a "mystery cracking competition" at the 1893 Columbian Exposition. There the "dee-tective" brothers go up against a number of world famous crime solvers, all of whom hope to succeed recently departed Sherlock Holmes as the greatest living sleuth. After considerable chaos, Frenchman Eugene Valmont wins the first round by finding a golden egg hidden by Holmes fanatic Armstrong B. Curtis, Esq. Judging the contest is the esteemed William Pinkerton, heir to the famed detective bureau, who, to the surprise of the Amlingmeyer boys, will not be competing, preferring to "keep his precious agency above the fray." And a fray it becomes after a dead body turns up face down in a large cheese and our heroes chase around "the White City" for the elusive murderer. (Jan.)
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The Children's Book by A.S. Byatt

From the first page this book had me so much information. Things I want to look up and under stand.
1st what is minton porcelain specifically in the sevres style

then what is a iznik jar
Then what is a venetian goblet


and a Lustre bowl by Mr de morgan


Bernard palissy








The name Stoke Prior comes from a cell or monastery belonging to the Prior of Leominster. It is situated three miles south of Leominster and eleven miles north of Hereford. In the 15th century, after the Welsh war of independence, Owen Glendower gave Stoke Prior to one of his faithful followers, Rhys ap Griffith.

The church is dedicated to St Luke. It was entirely rebuilt in 1863 in the Decorated style, on the site of a Norman edifice. The embattled west tower contains five bells, the oldest of which is pre-Reformation and was made at the Worcester foundry in 1460. The huge stained glass east window is a memorial to Thomas Bryan in 1864, the MP for Leominster. A tombstone of the first burial in the churchyard is to Elizabeth Howl in 1331.

There are three historic houses in the village. The Priory is thought to be of medieval origin, and to have been used as a monk's cell. Paradise Walk, to the north of the building, still exists. The Great House has a cross wing at the west end and the south gable has the original dentilled barge boards. The dovecote, south-east of the house, is reputed to be 17th century, with 470 nest holes in 13 tiers, and the strap-hinges on the doorway are of the same date.

The third is the Bury Farm. In 1841, a Mr Waland, the owner, offered the farm of 223 acres, exclusive of timber, to John Arkwright of Hampton Court for 12,000 guineas! At one time this farm was charged with payment of trug wheat (a twelfth part of a horse wagon of corn) to the vicar of Leominster for officiating at the chapels of ease at Stoke Prior and Docklow. This claim, unknown elsewhere in England, was passed to the incumbent when separate parishes were formed in the 17th century.

The population in 1861 was 348, but it had declined to 230 in 1988. The occupations, 100 years ago, suggest that the village was self supporting. There were farmers, hop-growers, gardeners, wheelwrights, blacksmiths, millers, tailors, plumbers, glaziers, grocer, butcher, postmistress and shoemaker. Today, the inhabitants are farmers, builders, bank employees, people working in surrounding towns and senior citizens.

At the eastern end of the village, a Roman settlement was found at Blackwardine. Here, coins, shards, skeletons and a kiln were uncovered during the construction of the railway in 1881.

Headlines in 1891 reported a hoard of seven silver vessels discovered in a rabbit hole behind the Slough Farm. It was declared Treasure Trove and obtained by the Victoria & Albert Museum in 1893. The Crown awarded £25 to each of the discoverers. These vessels were thought to have been hidden during the Civil War, when Sir William Waller took Leominster in 1643 and left it in the command of the famous Col John Birch, but the true facts have never been known.

and  Eltenberg  Reliquary

Books I want to read

The Venetians Wife

JUST FINISHED THIS BOOK. IT WAS ODD BUT I LOVED THE VISUALS.
The subtitle of this oversized, lavishly illustrated volume confirms that we are once again in the kind of quasi-mythical kingdom that provided the setting for writer and illustrator Bantok's bestselling Griffin and Sabine series. Phrased thusly: "A Strangely Sensual Tale of a Renaissance Explorer, a Computer, and a Metamorphosis," the subtitle also suggests a major difference in this work: the traditional epistolary tools (letters and postcards) that were the vehicles of communication in the trilogy are here replaced by e-mail messages exchanged by the two protagonists. Fans of the trilogy may not be disappointed that Bantok repeats himself in another respect, however. The situation that bridges time and place is nearly identical to that of the previous books; that is, one of the protagonists is contacted by the other, whom she does not know, but who seems to be able to read her mind. In this case, San Francisco art conservator Sara Wolfe, who is fascinated by a drawing of the Indian god Shiva hanging on the walls of the museum where she works, receives an e-mail message from one N. Conti, who somehow is aware of her obsession and offers her a job traveling around the world assembling Indian art for his collection. The narrative proceeds via these e-mail messages and through the protagonists' entries into their computer journals. In this story, however, Sara and Conti are not fated to be lovers. The latter, in fact, is the ghost of a real-life figure, wealthy Renaissance merchant and indefatigable traveler Niccolo Dei Conti, who died in 1469 and needs Sara's help in order to be reunited with his wife, Yasod, in the afterlife. And Sara, with Conti's help, discovers her own destined mate, a colleague called Marco (surely Bantok's humorous reference to another fabled traveler). The mysteries around which the plot hinge?Conti's identity and his ultimate purpose in reassembling his collection?are suspensefully maintained, augmented by Bantok's intensely colorful and often sensual illustrations. If Bantok has essentially chosen to repeat his winning formula, he has again produced another handsome volume that readers can enjoy. Author tour

the death of an ardent bibliophile

Finished the death of an ardent bibliophile and it wore me out was hard to read and sometimes hard to keep characters apart. I did enjoy the discriptions of the house and the books. I do believe I learned something about Jonathan swift. I will not read anymore in this series though. I put the book on Amazon to sell but with used books of this same kind being sold for 1 penny my 3:00 price may get passed up.
 Today is supper bowl sunday .




Literary lore and procedural machinations weave through the third adventure of Dublin police superintendent Peter McGarr, last seen in Death on a Cold, Wild River. The bibliophile in question was noted Swiftian scholar Brian Herrick, the custodian of Swift's Marsh Library, famed for its rare editions, which Herrick had recreated in part in his own home. As much an enigma as Swift, Herrick had also shelved in his library video cassettes of orgies starring himself and featuring, among others, a memorable one-eyed tart. But in his final scene, Herrick is filmed alone, falling victim to a nasty poison. McGarr learns that Herrick, reputedly wealthy, may have squandered his estate and become the subject of blackmail. Focusing less than in the previous books on the dichotomies of modern Ireland, Gill paints a broad, bold cast, including McGarr's wife, Noreen, an art gallery owner, and a handsome threesome involved in an intense romantic triangle-two of Peter's coppers, one tall and statuesque, one short and pugilistic, and a dashing young businessman. This academic mystery, however, may hold the most appeal for readers who know and love their Swift.